Showing posts with label jewelry silversmith blanks. Show all posts
Showing posts with label jewelry silversmith blanks. Show all posts

Wednesday, April 22, 2009

A Silversmith and Goldsmith Shop | jewelry silversmtih blanks

| jewelry silversmtih blanks

A Silversmith and Goldsmith Shop

located in Media, Pennsylvania

Sterling silver jewelry, gold jewelry, vintage, antique & custom engagement rings, silver & gold repair.For more info, visit: wfbeardsley.com

| jewelry silversmtih blanks

Friday, April 17, 2009

24K White Gold Ring with Green Stones Size 6 only | jewelry silversmith blanks

jewelry silversmith blanks24K White Gold Ring with Green Stones Size 6 only



jewelry silversmith blanks

Wednesday, April 15, 2009

24K Cross Hatch Gold Ring with CZ Stones | jewelry silversmith blanks

| jewelry silversmith blanks

24K Cross Hatch Gold Ring with CZ Stones

for more:newdawnjewelry.com

Tuesday, April 14, 2009

24K Gold Ring Raised Grove ring | jewelry silversmith blanks

24K Gold Ring Raised Grove ring



|jewelry silversmith blanks

Sunday, March 1, 2009

3 Line Rhodium Ring: jewelry silversmith blanks

jewelry silversmith blanks



3 Line Rhodium Ring


Stunning Designer Ring.
Featuring high quality cz's that are flawless and clear - simply Stunning!
The ring setting, is finished in Rhodium for that cutting edge hard wearing Platinum look.

click here



jewelry silversmith blanks

Tuesday, January 27, 2009

Silver and bronze sculpture, 'Silver Rooster': jewelry silversmith products

jewelry silversmith products

Sukaenah depicts a fighting cock in a defiant pose. Cockfighting is a favorite pastime in Bali, where it is not only a sport, but also an important element of the sacred rituals that call for a blood sacrifice. Champion roosters enjoy a long and fruitful life and even receive special daily massages. This dramatic sculpture is cast in bronze and bathed in sterling silver. It stands on a wood base. .925 rating silver This hand-crafted product may present miniscule pores that are imprinted from the casting process.



jewelry silversmith products

Earrings, 'Silver Rain' :jewelry silversmith

jewelry silversmith



Skillfully executed design and the supple qualities of sterling silver fuse to create this attractive pair of earrings, ideal for an impulsive, "just-because" gift. Ploy Intha has an unbreakable spirit, battling countless difficulties to fulfill her dream as a silversmith. Intha describes the intricate process: "An alloy, made of silver, copper or nickel and charcoal is molten in the forge and poured into a terracotta container. It is then hammered and stretched into strings with hammers and pliers and cut to smaller pieces. These pieces are then attached and soldered together into the desired shape. The dangling little beads are shaped by hand. The pair is washed into a tamarind solution. Then it is washed with water before being polished with a cloth." 92.5% silver and 7.5% copper (The charcoal is added to the molten alloy to prevent solid dross from forming when the mixture is poured out.)



jewelry silversmith

Wednesday, December 3, 2008

A history of southwestern silversmithing

The beautiful works in silver and turquoise jewelry that we visualize when we think about Southwestern Native American jewelry are the result of a century and a half of innovation. The working of metal into jewelry by Natives of the Southwest is credited first to the Navajo. The first Navajo to learn the art of metalwork is said to be Atsidi Sani, although others may have been dabbling in the trade. It was certainly Atsidi Sani who was the most prolific blacksmith.

As a younger man in the early 1850’s, Atsidi Sani wanted to learn the blacksmith’s trade and corner the Navajo market, as there were few, if any Native blacksmiths at this time. Atsidi Sani sought out a Mexican Blacksmith, Nakai Tsosi, learned the craft from him, and subsequently taught his sons. There was not much profit in jewelry making in that day. The primary output from the forges were knives, bits, and bridle parts. It was not until the Navajo / American war, when the Navajo were defeated by Kit Carson and force-marched to Bosque Redondo in 1863, that jewelry making began to gain a foothold.

At Bosque, the Navajo had access to copper. By the time the Navajo were allowed to return to their homeland, there were a few smiths with a talent for jewelry making, and more were learning. Early work was almost exclusively in copper, but silver was preferred and became more available in the form of American and Mexican coin that the Navajo obtained from trade with Mexicans, Pueblos, and early American traders who were beginning to establish posts on the new reservation.

The craftsmanship involved was incredible. Tools were hard to come by. Stamps, metal shears, and the like were often fashioned from old files or other implements that could be had through trade. There were no acetylene torches or ready-made solders. Pieces that required soldering were arranged together in the coals of the fire with a home made solder of silver and brass filings and heated with a bellows. The lucky silversmith retrieved the finish piece; the not so lucky one was left with a blob of twisted metal.

source: http://www.camerontradingpost.com/silversmithing.html

jewelry silversmith blanks

Monday, November 24, 2008

Handcrafted Jewelry - Silversmith bethmillner

Artist Statement

"The circle is representational of my outlook on life; I believe that the end of one thing is the beginning of the next.

I am using bird imagery in many pieces, inspired by a robin’s nest, which was outside of my window this past spring. I photographed the cycle from egg to bird, which gives me a source of ideas for designing bird-themed pieces. I feel as though there are many cycles in life that the circle is representational of, such as the life cycle of a bird. Once the bird dies, it decomposes and creates dirt, then an earthworm eats the dirt, a bird then eats the earthworm; thus creating a circular pattern in the life cycle.

Alexander Calder is one of the famous metalworkers whose work inspires me. His geometric shapes and moving components are elements that I incorporate into my work. I also strive to create pieces with components that have actual symmetry or a sense of symmetry. M.C. Escher’s use of tessellation patterns is influential to my work in that regard.

I use sterling silver, brass, copper, gemstones and materials that are native to the area I live in to create my jewelry. Some of the local materials I have used in my pieces are found on the shoreline of Lake Superior, including agates, rounded pebbles, and beach glass.

Many of my pieces are created with the intention of reusing materials. This philosophy is most likely derived from my personal life where I strive to reuse items whenever possible, so I reuse items such as sterling silverware for melting and casting new pieces. I also use recycled electrical wire for some of my copper pieces.

In May of 2008 I graduated with a bachelor of fine arts in Metalsmithing from Northern Michigan University. "

-source: http://www.bethmillner.com/about.html

jewelry silversmith blanks

Thursday, October 2, 2008

Monday, September 29, 2008

Jewelry (jewelry silversmith blanks)

jewelry silversmith blanks

Jewellery (also spelled jewelry, see spelling differences) is a personal ornament, such as a necklace, ring or bracelet, made from gemstones, precious metals or other materials.

The word jewellery is derived from the word jewel, which was anglicised from the Old French "jouel" circa the 13th century.[1] Further tracing leads back to the Latin word "jocale", meaning plaything. Jewellery is one of the oldest forms of body adornment; recently found 100,000 year-old beads made from Nassarius shells are thought to be the oldest known jewellery.[2]

Although during earlier times jewellery was created for practical uses such as wealth, storage and pinning clothes together, in recent times it has been used almost exclusively for decoration. The first pieces of jewellery were made from natural materials, such as bone, animal teeth, shell, wood and carved stone. Jewellery was often made for people of high importance to show their status and, in many cases, they were buried with it.

Jewellery has been made to adorn nearly every body part, from hairpins to toe rings and many more types of jewellery. While high-quality is made with gemstones and precious metals, there is also a growing demand for art jewellery where design and creativity is prized above material value. In addition, there is the less-costly costume jewellery, made from less-valuable materials and mass-produced. New variations include wire sculpture (wrap) jewellery, using anything from base metal wire with rock tumbled stone to precious metals and precious gemstones.

source: http://en.wikipedia.org/wiki/Jewelry

jewelry silversmith blanks

Saturday, September 27, 2008

jewelry silversmith blanks - silversmith tools

jewelry silversmith blanks

Here are virtually all the tools used by the silversmith: a hammer and mallet. The pieces of silver shown are for making the silver balls in the Akha headgear. (The balls themselves are hammered in a mold made of water buffalo horn.)

source: http://www.travelingtiger.com/travelingtiger/akha/akha.htm

jewelry silversmith blanks

Wednesday, September 24, 2008

silversmith tools - jewelry silversmith blanks

jewelry silversmith blanks


Jeweler's tools like Anvils, Pliers, Saws, Bangle and Ring Rods, Ingot Moulds, Dapping Doming & Grooving Blocks and Punches, files, etc.


jewelry silversmith blanks

source: http://www.maneklalexports.com/English/Jewelry.htm

Friday, September 19, 2008

T2/3500 Silversmith Staking Tool--Hatch Long -jewelry silversmith blanks

jewelry silversmith blanks



T2/3500 Silversmith Staking Tool--Hatch Long

T2/3500. Very Heavy, well made in West Germany Silversmithing staking tool, hatch long. List $35.00, sale $28.00. 10 1/2" long. (Numbers 35 & 80 stamped on handle). Limited supply left!

source: http://www.twincitysupply.net/catalog/product_info.php?cPath=207&products_id=787

jewelry silversmith blanks

Monday, September 15, 2008

jewelry silversmith blanks - silversmith tools

jewelry silversmith blanks

Simon Beer's tool rack

source: http://www.simonbeer.co.uk/about/toolrack-z.html

jewelry silversmith blanks

Saturday, September 13, 2008

silversmith tools - jewelry silversmith blanks

silversmith tools - jewelry silversmith blanks

Just a small example of tools used by a silversmith.
Some are handed down and are over 100 years old.

source: http://www.britanniasilversmiths.com/gallery.html

silversmith tools - jewelry silversmith blanks

Thursday, September 11, 2008

Tuesday, September 9, 2008

jewelry silversmith blanks - ancient silversmith's tools

jewelry silversmith blanks

ASCAS presented the images of ancient silversmith's tools from Planche V 'Outils' of L'Encyclopèdie Diderot & D'Alambert, coupled to the table of the corresponding 'legend' containing the French name of each tool. I'm still unable to offer the complete English translation of the page, but some useful information was obtained from the RIO GRANDE (Albuquerque) sale catalog "Tools & Equipment 2004".
Giorgio Busetto
source: http://www.ascasonline.org/newsMM25.html

jewelry silversmith blanks

Tuesday, September 2, 2008

The art of traditional silver and gold work (jewelry silversmith blanks)

(jewelry silversmith blanks)



Reproduction belcher chain with a 1734 silver rider ducatoon from the T’Vliegenthart shipwreck (1735) in a hand made 14K bezel. The bench anvil shown dates to 1775. The hammer is from the Holocaust

The art of traditional silver and gold work

As a specialist in hand forged and braided metal, I use a mixture of traditional silversmith, blacksmith, and contemporay/modern jewelry techniques and equipment to create wearable works of art. I am a native of North Carolina, trained in historical archaeology, with a subspecialty in metals. My tools date as far back as 1775 with the bulk of them coming from the 1800s. Several of the tools come from the Holocaust and were used by a German Jewish goldsmith that survived the concentration camps and emigrated to the United States in 1947.

Many of the techniques used are hundreds of years old - the oldest being about 2800 years old. The main media used in the jewelry are precious metals, including sterling silver (nickel free), platinum sterling (3.5 and 5 %), gold (yellow, white, red, and green in 10, 12, 14, and 18 karat), copper, and stone (Precious, semiprecious, and common). All precious and semiprecious stones used are genuine and are the highest jewelry grade stones available (AA and AAA whenever possible).

Most of my inspiration comes from nature with it's multitude of graceful flowing lines and the natural geometric pattern one observes in it. Many times, I will see a form or shape in nature and I will take that idea or some part of it, tweak it, maybe twist it somehow, and reuse/restate it’s core essence in metal and/or stone.

My goal is simple. To create designs that are not only meant to be viewed but to be touched. And to create designs that glorify God. Without the gifts and talents He has blessed me with, I could not be doing what I am doing.

source:http://www.barkingdogjewelry.com/Welcome.html

jewelry silversmith blanks

Saturday, August 30, 2008

jewelry silversmith blanks - montana silver smith jewelry

jewelry silversmith blanks


Logo souvenirs and moccassins, local crafts and Montana Silver Smith jewelry.

source: http://www.browningchamber.com/westerncurios.html

jewelry silversmith blanks